Andrea Bocca’s practice originates from an imaginary suspended between the countryside and the industrial landscape of the Po Valley, where abandoned construction machinery—eroded by time—appears as mythological creatures that both attract and unsettle. Working through sculpture and installation, he develops a process of transformation that begins with drawing and the redesign of forms. He participated in The Great Learning at Triennale Milano (2017) and has exhibited at Federica Schiavo Gallery, which represents him. He lives and works between Crema and Milan.